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Welcome to my Blog

Richard at White Rocks

Hey there...

Welcome to the Stoned Templar's blog!

I'm a bit of an old fart; just a good ole country boy, who's not much into high tech anymore or up to speed on social media and all the new fangled apps and what not. So, I don't know much about this blogging thingy but figured I'd give it a go. To be sure, I'll share ideas, thoughts, and opinions (got lots of those) sprinkled with my warped sense of humor. Mostly though, since we're not trompin' on a mountain, chewin' the fat around a campfire and because I'm really not much of a raconteur, I'll share stuff I'm working on. You know, secret stuff; esoteric and mystical stuff you share in hushed whispers away from prying eyes in private coz it might get you in trouble if the wrong folks found out. Lawd a mercy and bless their heart should that happen! Them old hens would be a cacklin' and it'd be all over church as fast as they could text it. Oh, I can just hear 'em now, "did you hear what they was talkin' 'bout?" Yep! But we're gonna talk about it anyway, conspiracy theories and forbidden stuff like ancient aliens, evolution, primal theology, the divine feminine, the Philosophers' Stone, alchemy, meditation, consciousness, shamanism, suppressed history, and secret societies like the Rosicrucians, Freemasons, and the Knights Templar. It's gonna be entertaining and informative, but you gotta keep it hush hush. Ready?

BTW, for those of you who are curious, the cliffs in the image at the top of the page are are called White Rocks. They're located down in Lee County in far southwest Virginia. Back in the 1700s when Daniel Boone was blazing Wilderness Road, when he saw those cliffs he knew he had about a day's march to the Cumberland Gap on the Kentucky boarder. 

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The Hidden Flame of Verulam: Francis Bacon’s Blazing Odyssey as Christian Rosenkreutz

In the shadowed corridors of Elizabethan England, where daggers gleamed beneath velvet cloaks and stars whispered prophecies of upheaval, a secret prince rose—not on a throne of gold, but on a trestle board of cosmic design. Behold Sir Francis Bacon, Baron Verulam, Viscount St. Albans: the bearded titan with eyes like forged steel, cloak swirling with Rosicrucian roses, and a mind that devoured empires of thought. He was no mere statesman or philosopher. He was the blazing supernova of 1604 incarnate—Kepler’s omen made flesh—a master architect who forged modern Freemasonry, unmasked himself as the legendary Christian Rosenkreutz, and smuggled the Grail’s fire across the Atlantic in the ink of New Atlantis. This is his saga, seeker: a tale of veiled kingship, alchemical betrayal, and a lantern raised against the storm of orthodoxy!

Picture the scene in 1561, York Place, the opulent cradle of secrets. Queen Elizabeth I, the Virgin Sovereign, births a son in clandestine fire—Francis, sired in a hidden union, spirited away to Anne Bacon’s care. “Mente Videbar,” his motto thunders: “I seemed in mind.” A Paschal Lamb, sacrificed on the altar of Tudor stability, denied his crown yet destined to build a temple not made with hands. Raised amid the intellectual blaze of Cambridge and Gray’s Inn, young Francis devoured law, science, and the occult. By his twenties, he danced with Dr. John Dee—the Merlin reborn—at Mortlake, poring over globes, ciphers, and Monas Hieroglyphica. Dee, with his Enochian angels and New World visions, saw in Bacon the once and future king: Arthur returned, Perceval questing for the Grail. Together, they plotted a British Empire of the Mind, overlaying celestial maps where Cassiopeia crowned England and Cygnus soared over Arcadia’s shores.

But the ruffians of fate struck early. Elizabeth’s silence was the first wound—her “vow of secrecy” a throat-slitting Level in the Hiramic drama Bacon would later encode. The second: the heart-tearing Square of denied legitimacy, as courtiers like Leicester’s shadow loomed. The third: the skull-crushing blow of political exile and financial ruin. Yet Bacon rose, like Hiram from the rubble, wielding the lion’s paw grip of resilience. Knighted by James I, he climbed to Lord Chancellor, only to be toppled in a bribery scandal—another ritual death, another rebirth. Through it all, his pen became Excalibur: Novum Organum birthing empiricism, essays dissecting human frailty, and Shakespeare’s canon (oh yes, the ultimate mask!) pouring forth sonnets of veiled royalty and tempestuous seas.

Enter the Gunpowder Plot of 1605—a blazing theatrical masterpiece on Bacon’s trestle board! Under the supernova’s glare in Ophiuchus (the Serpent-Bearer), Catholic ruffians—Catesby, Fawkes, the three Wintour brothers as the archetypal three assassins—tunneled like quarrymen beneath Parliament. Thirty-six barrels of powder, a lantern in the undercroft, Fawkes caught at midnight with slow-matches and spurs. Heads on pikes, bodies drawn and quartered: pure Hiramic allegory! Bacon, Attorney General, orchestrated the trials, embedding the drama into Masonic ritual. The “ruffians” mirror Hiram’s killers; the thwarted explosion, the lost Master’s Word “SON” (his own denied birthright); the substitute “MAHABONE,” loyalty forged in ashes. This was no coincidence—it was blueprint. Bacon transmuted treason’s lead into the gold of cautionary legend, warning future brethren against serpents in the temple.

Now, the grand unmasking: Christian Rosenkreutz! In 1614–1616, the Rosicrucian manifestos erupted like alchemical thunder—Fama Fraternitatis, Confessio, and the Chymical Wedding. Who was CRC, the illuminated founder born 1378, dying 1484 at 106? An anagram, seeker! “Christian Rosenkreutz” veils “Francis Bacon” through layered ciphers, gematria, and symbolic dates. 1378? Echoes of earlier heresies and Templar echoes. 1484? The supernova’s shadow year. Bacon, the “Rose Cross” incarnate—red rose of York, white cross of hidden sanctity—staged his own fictional death and rebirth. The Chymical Wedding? A direct allegory of Princess Elizabeth Stuart’s 1613 marriage to Frederick V, which Bacon masterminded with Inigo Jones spectacles and Shakespearean plays (The Tempest channeling Dee’s New World magic). Michael Maier’s songs and Johann Valentin Andreae’s prose? All threads in Bacon’s web, weaving a fraternity of invisible colleges to heal Europe’s Fisher King.

Bacon’s New Atlantis crowns the vision: Bensalem, a utopian isle ruled by Solomon’s House—scientists, sages, and Grail-knights advancing knowledge for humanity’s sake. No dusty myth—this was blueprint for America! Newport Tower as celestial clock, Rhode Island as Rhodri-Merlin’s Avalon, Manana Island as the Isle of Apples. Dee’s globes, Bacon’s sextants, the point within the circle: a 40-mile cable-tow from Westminster encompassing Hackney’s St. Augustine’s Tower (the clockwork temple at 3 a.m., Elizabeth’s death hour). Masonic marks, lozenges, and the Past Master’s symbol as geometry and navigation—all Bacon’s handiwork, seeding the invisible college that flowered in Philadelphia’s lodges and the Declaration’s self-evident truths.

Imagine the climax, vibrant as a supernova’s burst: Bacon, old and grizzled on his deathbed in 1626, staff in one hand, lantern in the other. “I have lit the fire,” he whispers, “but the forge is yours.” Poisoned? Betrayed? Or staging one final disappearance, like Lambert of Saint-Omer centuries before? His tomb at St. Michael’s, Gorhambury echoes with acacia and urns, weeping virgins over broken columns. Yet the flame endures! Through the 1717 Grand Lodge at the Goose and Gridiron, Boston’s Green Dragon sparking revolution, and the thirteen Masonic signers forging a New Atlantis in the West.

Seeker, Bacon was no spectator—he was the Operative Esotericist supreme! Denied the crown, he built an empire of consciousness. The Hiramic ruffians could not slay his spirit; the Gunpowder serpents only fueled his forge. In the AetherForge of history, he harmonizes at 432 Hz: sacred geometry, vibration, and moral courage. Raise your lantern! Decode the trestle board of your own life. The Grail pulses in the temple within. Bite the apple of knowledge. The serpent of doubt transmutes to wisdom. Nothing will ever be the same—the Rose Cross blooms eternal!

 
 
 

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